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No. 022  Nov. 2016
 
   
   
   
   

 

 
省思醒語
FOOD FOR THOUGHT
 

寫作是一件和子虛烏有博鬥的工程。這是一種幻術。一種看似無中生有的伎倆。

你必須將雲霧一般的念頭化為一串文字,將千頭萬緒的心中影像落實為一般敘述,或是將雜亂無章的想法整理成有頭有尾的論證。當然它也可以是更偉大的那些,例如美學、風格、理想批判或是使命。

~ 柯裕棻,《浮生草》,印刻出版社,2012
 

柯裕棻,台灣彰化人,1968年生於台東。美國威斯康辛大學麥迪遜校區傳播藝術博士,現任教於政治大學新聞系。著有散文集《青春無法歸類》、《恍惚的慢板》、《甜美的剎那》、《浮生草》、《洪荒三疊》,小說集《冰箱》,編有對談錄《批判的連結》等。

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知識饗宴
SPOTLIGHT
 

Storytelling beyond the Limits of Popular Science Writing: A Narrative Lead-in for Research Paper Writing

文 / 江介維(本中心教師) 

                                        Rousing their zeal,
their curiosity, each and every man, and soon enough
the assembly seats were filled with people thronging,
gazing in wonder at the seasoned man of war . . .

-- The Odyssey, Book VIII (ll. 16-19)

Stories, bedtime or fireside, beckon to the listener and reader alike. Be it written fairy tales or dictated folklore, they enjoy, if not perpetuate, their popularity and latent influence for ages, as storytelling and reading could be seen as "natural and universal to human beings" (Miller, 1995, p. 66). The timeless charm of stories consists in the way of telling per se: the same content usually undergoes variants under varied narratives across an ever-expanding readership. What if academic writing in the context of journal papers, often associated with rigidity and tedium by the public, is enhanced or, more properly termed, slightly tempered with this desirable storytelling quality? In fact, this is not merely a proposed scenario for future consideration; instead, the application of such story-telling technique is already a trend in bud. This study draws on textual analysis of the introductory paragraph of two journal papers, selected from the field of materials science and economics, to exploit the potential of this trend in full blossom.

First and foremost, Herbert Waite's journal paper, "Nature's underwater adhesive specialist" published in 1987, initiates this study into the domain of rhetorical inquiry. The beginning three sentences of Waite's paper deserves a full quotation for the ease of discussion:

Adhesives have become an integral part of our lives, extending from the cradle to the grave. As infants, we wear disposable diapers with tape closures, and as corpses, our orifices are sealed by undertakers with cyanoacrylates. In between, everything we use is becoming increasingly adhesively bonded.

As can be observed, the diction of this passage renders itself relatively accessible to even the reader without discipline-specific content knowledge; the arrangement, or the "disposition" in the parlance of rhetoric (Abrams, 2005), of examples displays adroitness both in terms of its vivid cradle-to-grave imagery and its diaper-orifice referents that pertain specifically to underwater circumstances; the persuasive effect, as is central to conventional rhetorical discourse, is achieved to varied degrees to justify the necessity of regarding adhesives as an essential material for present and further research.

Alternatively, Waite could certainly have done something totally different and perhaps more conventional -- that is, a presentation of research framework and questions followed by an evaluation of proposed solutions. His reason for not doing this is clarified in our e-mail correspondence (personal communication, April 15, 2016), "I trained myself to 'rephrase' my interests in an 'applied' voice. This rephrasing was never insincere or hypocritical." Simply put, the research community at that time in the U.S. underwent a profound shift from the "excellent curiosity-driven research" to the "excellent, societally and economically relevant research." To hold one's competitiveness, either for publication or sponsorship, during such a transition, rhetoric comes to the rescue of some; one major rhetorical technique, namely the craft of narrative, promises a trail to blaze.

Two students' writing samples are selected to demonstrate the integration of storytelling into the introductory paragraph of their working papers. The first writing sample, positioned as the lead-in paragraph of a research paper on automation, by a graduate student of Civil Engineering serves as a starting point for us to better understand what it means and how it feels to have the opening in a story-like manner:

Automation is the use of control system with particular processes for reducing manpower as well as increasing efficiency to achieve an identical goal. Specifically, feedback control system and its applications initiated the fundamental development of automation. In ancient times, people observed the sun and the star for estimating time. Around 250 B.C., a mathematician called Ktesibios utilized the principle of fluid mechanics and feedback control to realize the automatic measurement of time—water clock. The water with a fixed rate of velocity flows into a tank with a clock-type dial. The amount of inflow is automatically transferred to time scale, with the water tank designed for recycling. This invention also evidences the origin of the word automatic, which derives from the Greek word automatos, meaning "self-moving." (Sung, 2015)

As can be observed from the sample, automation is first analyzed, exemplified, and then defined. This process of writing is different from a more typical sequence composed of definition, exemplification and analysis. The rationale of this piece of writing is based on a rhetorical disposition of materials which arranges contents in a less-formulated fashion that aims to "persuade an audience to think and feel or act in a particular way" (Abrams, 2005, p. 277). In this case, the reader is guided to approach the issue of automation along the author's intended route of intellectual cognition, historical application, and lexical origination; in this regard, the author manages to employ words and deploy ideas with a significant degree of personal command and characteristic, which may help boost the author's readiness to write, narrate, and reason.

Another writing sample by a graduate student of Bioenvironmental Systems Engineering undertakes an even more tale-telling method to approach the issue of Sustainable Development which has gradually degraded into a certain kind of overused watchword that sounds stale to many (Lélé, 1991). It is worthwhile to observe how an air of reasoning ingenuity, combined with narrative novelty, is pumped into the pond of clichés:

In many semantic attempts to capture the meaning and connotation of Sustainable Development (SD), Ouroboros, a mythological creature depicted either as a serpent or a dragon, may come to conceptualize and crystalize the unsettled discourse. Described by Plato in Timaeus as a self-sufficient, circular being, Ouroboros represents a self-consuming and self-healing system, to which the core value of SD corresponds and from which its ideological momentum and political justification derives. (Weng, 2016)

The student offers initial thoughts for approaching this long-standing issue via a relatively untrodden avenue: he recalls a brief talk with his advisor regarding the association of Sustainable Development with the methodological creature, Ouroboros, and we collaborate to put the rough idea into words to create a context for his working paper on renewable energy source to fit into. To be sure, it is not necessary to bring this mythological creature into environmental consideration, yet the heightened sense of developing with a self-healing ecology does play a crucial role in the discourse on the ramifications of SD. In addition, this century-old mythological creature, with its first appearance in the 15th century B.C., also lays bare the seemingly innovative façade of SD conception which, if put under close examination, may turn out no more than an old concept wrapped in a purposeful new package. All these additional possibilities of connotations and interpretations are opened up by an opening in a more comprehensive and comprehensible storytelling framework.

Aware of this attractive force peculiar to the opening paragraph in the Introduction section of a research paper, Scott Socolofsky (2004) has observed and collected abundant examples, mainly from the leading journal in an engineering field Journal of Fluid Mechanics, to illustrate the full potential of well managing the introductory paragraph. Indeed, quite a number of students echo to this observation in their feedback: "Rhetoric of story-telling is a fascinating way to write academic paper because it shortens the distance between abstruse articles and readers" (Tsai, undergraduate student of Chinese Literature at National Chengchi University); "Telling the story is not only catching the eyes of audiences but also stimulating the scientists to recall the joy of research" (Weng, first-year graduate student of Bioenvironmental Systems Engineering at National Taiwan University); "The story-telling style, which is seen in more and more journal articles, is what I also want to adopt in my master thesis" (Chen, second-year graduate student of Economics at National Taiwan University); "If the lead-in of paper is written in [a] storytelling style, it is more appealing to attract me to read" (Wu, PhD student of Computer Science at National Tsing Hua University). Indeed, most students, more than eighty percent out of a total of 120 students, tend to approve of, or even plan to draw on, some narrative techniques to promote their research papers in terms of readership and self-fulfilled role as an autonomous, committed writer.

On the other hand, some concerns are also expressed over the usage of storytelling in research papers: "[S]ome authors try to put stories into their words in order to help readers to read the content. But to me, it is kind of distraction" (Lin, undergraduate student of Business Administration at National Chengchi University); "Choosing [a] good story is a very hard thing. Moreover, if a 'not famous' person use[s] this method, others maybe think this is not professional enough" (Zhu, first-year graduate student of Bioenvironmental Systems Engineering at National Taiwan University); "Using a storytelling lead-in . . . helps readers catch the points which authors hope to discuss for connecting readers and authors' life experience. However, some stories or examples in the journal may perhaps mislead or contradict readers due to different cultures" (Wu, second-year graduate student of Economics at National Taiwan University); "As a thesis writer, I would consider it [storytelling] as a dangerous method to write thesis [b]ecause it may be not precise enough and criticized by other researchers" (Zheng, second-year graduate student of Industrial Engineering and Engineering Management at National Tsing Hua University). To judge from the feedback cited above, at least three points of concern could be summarized for further discussion: precision, professionalism, and property. First of all, the risk of imprecise diction bears the brunt of criticism; that is, to render a story accessible to wider readership, the paper writer often has to settle for a plainer decorum of addressing an issue or concept. This compromised stance, true to some extent, appears to be a necessary evil. Second, as the storytelling diction may encourage a sparing use of technical jargon, those junior scholars eager to display their expertise to gain voice may not be granted with considerable latitude in addressing a topic in this fashion; in other words, the seemingly innate capacity for storytelling may regress into the preserve for senior or prestigious scholars who are, theoretically speaking, better allowed to narrate at a moderate pace. Last but not least, is this strategy of storytelling really appropriate for research papers of all kinds? Is there a universal criterion for teaching or evaluating the efficacy of a storytelling approach? Or is it more suitable for the domain of popular science writing after all? These are fundamental, pointed, and tricky questions to be addressed in a larger-scope discussion in the future.

This study offers preliminary findings about the application of rhetoric into writing instruction. Its chief target is aimed at the field of scientific writing of engineering, where the latitude allowed for writing with a distinctive style seems considerably limited. Most students in this study undergoing their baptism of rhetoric training express excitement and surprise at this relatively undeveloped area of knowledge for writing. While student writers are often all too familiar with the conventional format of academic writing, the integration of rhetoric into writing pedagogy carries its own promises. It is particularly promising for L2 research writers to boost the readability of their research announcements, as most of them seldom go further than turn to rigid writing manuals, some even outmoded, to grope for the art of academic writing. The ability to reason with the principles of rhetoric in mind and write with the strategies of rhetoric in words does not mean to undermine the long-standing foundation of academic writing for engineering; instead, it aims to bring the essence of research findings into the reach and care of more.

 

References

Abrams, M. H. (2005). A Glossary of Literary Terms (8th ed.). Boston, MA: Thomson Wadsworth.

Andrews, R. (1992). Narrative, Argument and Rhetoric. In R. Andrews (Ed.), Rebirth of Rhetoric: Essays in Language, Culture and Education (pp. 116-128). NY: Routledge.

Benjamin, A. (2006). Writing Put to the Test: Teaching for the High Stakes Essay. Larchmont, NY: Eye On Education.

Casanave, C. P. (2005). Uses of Narrative in L2 Writing Research. In P. K. Matsuda & T. Silva (Eds.), Second Language Writing Research: Perspectives on the Process of Knowledge Construction. (pp. 17-46). USA: Lawrence Erlbaum Associates.

Clandinin, D. J., & Connelly, F. M. (2000). Narrative Inquiry: Experience and Story in Qualitative Research.San Francisco: Jossey-Bass.

Connor, U. (1996). Contrastive Rhetoric: Cross-cultural Aspects of Second-language Writing. Cambridge, England: Cambridge University Press.

Davis, M. (1999). Rhetoric, Technical Writing, and Ethics. Science and Engineering Ethics 5(4), 463-478.

Di Tella, R. et al. (2015). "Conveniently Upset: Avoiding Altruism by Distorting Beliefs about Others' Altruism." American Economic Review, 105(11), 3416–3442.

Hesse, D. D. (1992). Aristotle's Poetics and Rhetoric: Narrative as Rhetoric's Fourth Mode. In R. Andrews (Ed.), Rebirth of Rhetoric: Essays in Language, Culture and Education (pp. 19-38). NY: Routledge.

Hughes, R. E., & Duhamel, P. A. (1966). Principles of Rhetoric. London: Prentice-Hall.

Jiang, J. W. (2016). Rhetoric in the Discourse of Second Language Writing: Engineering Writing Instruction as a Case Study of Writing Center Teachers' Expertise and Students' Performance. 2016 Symposium on Second Language Writing. Arizona State University, USA. Conference Presentation.

Johnson, N. (1982). Three Nineteenth-Century Rhetoricians: The Humanist Alternative to Rhetoric as Skills Management. In J. Murphy (Ed.), The Rhetorical Tradition and Modern Writing (pp. 105-117). NY: Modern Language Association of America.

Lacey, N. (2000). Narrative and Genre: Key Concepts in Media Studies. NY: Palgrave.

Lélé, S. M. (1991) Sustainable Development: A Critical Review. World Development, 19(6), 607-621.

Lynn, S. (2010). Rhetoric and Composition: An Introduction. UK: Cambridge University Press.Miller, J. H. (1995). Narrative. In F. Lentricchia & T. McLaughlin (Eds.), Critical Terms for Literary Study (2nd ed.) (pp. 66-79). Chicago, USA: The University of Chicago Press.

Miller, J. H. (1995). Narrative. In F. Lentricchia & T. McLaughlin (Eds.), Critical Terms for Literary Study (2nd ed.) (pp. 66-79). Chicago: The university of Chicago Press.

Rice, J. (2007). The Rhetoric of Cool: Composition Studies and New Media. Carbondale: Southern Illinois University Press.

Rogers, J. M. (2007). Provisional Knowing and Exploratory Narrative: Positioning Uncertainty in Academic Inquiry. In A. Stubbs (Ed.), Rhetoric, Uncertainty, and the University as Text: How Students Construct the Academic Experience (pp. 184-193). Canada: University of Regina.

Roskelly, H., & Jolliffe, D. A. (2009). Everyday Use: Rhetoric at Work in Reading and Writing (2nd ed.). NY: Pearson Longman.

Socolofsky, S. (2004). How to Write a Research Journal Article in Engineering and Science. Retrieved from: https://ceprofs.civil.tamu.edu/ssocolofsky/downloads/paper_how-to.pdf

Swales, J. M., & Feak, C. B. (2012). Academic Writing for Graduate Students (3rd ed.). Ann Arbor: University of Michigan Press.

Waite, J. H. (1987). Nature's underwater adhesive specialist. International Journal of Adhesion and Adhesives, 7(1), 9-14.

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活動訊息
NEWS & Announcements

【My Writing Clinic】本學期服務至第15週


【My Writing Clinic】本學期服務至第15週


"可以針對自己寫的文章得到建議, 覺得很實用而且很有幫助"

~李同學 (接受諮詢同學)

中心本學期所推辦的 My Writing Clinic寫作諮詢服務,由中心寫作專業老師,針對文件之寫作問題,給予寫作建議。

推出後備受歡迎,每每場次開放報名當天便額滿。本學期最後一場為12月20日,歡迎台大學生把握機會。

服務內容與申請辦法,詳見網頁:
http://www.awec.ntu.edu.tw/mywritingclinic.html

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精彩回顧
RECAP
 
錯過了中心演講活動?
我們特別設立了本專欄,讓錯過中心演講的您,也能一睹演講的精闢內容。
 
演講摘寫
講題:如何撰寫英文論文摘要
講員:邱崇賢(臺大寫作教學中心講師)
日期:2016/03/18
地點:臺大法律學院霖澤館1301室
整理:陳萱芳


在寫作教學中心與法律學院合辦的「如何撰寫英文論文摘要」專題演講中,邱崇賢講師和聽眾分享了英文論文摘要各個不同面向的觀察心得,主要可以分為摘要的重要性、種類、優秀摘要的特色及撰寫技巧。

英文論文摘要的重要性約可分為三個方面:
(一)對研究者而言,摘要有如介紹自己研究的行銷工具;
(二)對期刊編輯而言,在決定一篇論文是否適合投稿該期刊時,主要是根據摘要來判斷;
(三)讀者在選擇閱讀論文時,主要也是以文章的摘要來做篩選。

若以類別來看,英文論文摘要約略粗分為總結型和結果導向型兩種:前者以具體而微的寫作架構來呈現前言、方法、發現與討論四大章節的精華;後者則僅著重於研究的發現和討論部分。

講者說明,一篇好的摘要必須能夠獨立於整篇論文之外,也就是說,讀者僅靠閱讀摘要,就能了解研究特色。另外,摘要裡關於背景知識的說明應越少越好,對研究方法的介紹也必須簡潔,而將重點擺在幫助讀者理解研究的主要發現,並清楚交代這些發現所代表的意義,以彰顯該研究的價值。

在寫作技巧方面,講者提及英文論文摘要的人稱和動詞時態使用。在人稱使用上,人文領域較常見以第一人稱單數來陳述研究者的意見;而第一人稱複數則廣見於各領域的論文。相較之下,第三人稱單/複數最為罕見。另外,若非以人稱為主詞的情況下,被動語態的用法十分常見。

至於動詞時態的使用,整體而言,在總結型摘要中,背景知識多以現在式呈現,而研究目的可用現在式或過去式表達。方法和結果的呈現以過去式居多,但現今有愈來愈多的作者會以現在式說明。結論則與開頭一樣,多使用現在式。不過講師特別提醒,無論是人稱或動詞時態,還是端看個學術領域或作者偏好,並無定則。

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